Idea: Amazon e-book streaming service   April 11, 2011

April 11, 2011

Amazon cart app logoAn article in today’s ReadWriteWeb prompted me to consider the possibility that all media which we consume could follow a service model like Netflix.  What if Amazon decided to charge a monthly flat fee for a certain number of books?  $10 for 4 books per month or something.  Audible does this with audio books.  It’s prohibitively expensive with Audible ($20/month for 1 book, I think), but they have to pay publishers and authors AND voice talent and production.  Give an author a bottle of scotch and a $400 advance and they’ll write you a masterpiece (ref: Charles Bukowski).  Audio books have a lot bigger food chain so they are more expensive by nature.  Anyway, Audible is irrelevant for this (you can read a book a lot faster than listen to it).  The real advantage that elevates Amazon above the competition is their amazingly broad distribution channel, which puts them in a nice position to offer services really cheap.  If I’m an author and I can make $5 on each of 10,000 sold books or $1 off 100,000 sold books, I’m going to pick #2.  Now imagine I can completely circumvent publishers because I distribute electronically only.  I sell less, but make more … now I make $12 on each of 10,000 sold books.  Amazon has the kind of reach to allow an author that sort of opportunity.

I’m sure Amazon considered this and then threw it out the window … but with a few recently successful service launches, the dynamic has changed.  Amazon could combine their streaming movies, cloud drive (for storing music), android app store, and excellent mp3 store — many of which have just been released to the world.  All of Amazon’s services are very solid, so along with books, they could just offer a flat monthly fee for the whole thing.  Essentially, “media as a commodity”.

I’d pay $50/month for books, streamed movies, music, and 5 apps.  And if the delivery systems were as seamless as the mp3 store OR the ebook to the kindle, they’d have an exceptional system.  Amazon is already a primary destination for product purchases, so it amazes me that they have not yet made the leap to service provider.  An author will make less per sale, but they are selling more units.  If I am paying $50/month for any number of books, I am going to read (and toss) tons of them.  Same with movies and music.

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Lala, part 2   October 14, 2009

October 14, 2009

I may have figured out how  Lala works their licensing mystery.  When synching your music collection, the service somehow matches mp3 tags like artist, album, and song title.  I think song length may also have something to do with it.  If it finds an “approximate” match AND the song is licensed for Lala’s use, the song gets dropped into your online music collection.  I bet this is somewhere in the FAQ on their web site, but I never read that nonsense … do you?lala-logo

Why did I only find this out 6 months after I started using Lala?  Very good question … glad I asked it.  It takes forever to upload songs, so I only uploaded the first 20 gigs of my music collection.  I never processed the whole collection because I have 500+ gigs of music.  Because of how I originally converted all my CDs, my music collection is organized in an odd manner.  It’s very complex, but let’s just say I uploaded the most mainstream music first.  All my music matched and so I blissfully used Lala for 6 months.  Now that I am so enamored of Lala, I’ve decided to upload the rest.   Much of this current music that I am uploading is eclectic and indie.  So it’s not really matching.  See, I may be uploading a live or demo or rare version, and Lala mismatches it with the production studio version of the tune!  If it doesn’t match, Lala omits it from the album entirely.  This isn’t so bad, except you don’t know until you go to play an album and the last track isn’t there or track 5 is not what you’d expect or way too loud compared to the rest of the album.  I’m obsessive about music and my spidey sense tingles when something is out of whack.  However, I breathe deeply. count to 10, and then move on.  Oh … the other issue is that on CDs with unnamed hidden tracks, I’ve edited out the silence and re-saved the track under a new name.  Green Day’s “Dookie” has that with the “All By Myself” song.  Lala doesn’t recognize this sort of thing.  Bummer.

So consequently, my Lala collection is incomplete and mismatched.  Probably 10% of my Lala collection is askew.  I have an enormous quantity of weird music, however.  So although my OCD has been tweaked a bit, I am willing to overlook the slight problems in favor of the enormous convenience.  For the great majority of the population for whom Meatloaf’s “Bat Out Of Hell 2″ (you know “I’d do anything for love, but I won’t do that!” … you have it on your iPod and you LOVE it) is the weirdest thing in their iTunes, this won’t matter.  All the Kanye West, Christina Aguilera, and Black Eyed Peas that you need is covered with Lala’s library.  Enjoy it!

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Responsive web design optimizes the site experience for both desktop browser and mobile traffic, while minimizing page overhead. Top Search engines recommend responsive development for cross-platform marketing. TopLingo specializes in responsive application development. To see our capabilities first hand, view our site on a tablet or phone.

I’m Using Lala. I’m Feeling Good.

There’s a great music website called Lala which I have been using for about 6 months now.  It allows you to upload your music collection and listen to it anywhere that you have a computer (or iPhone) and an internet connection.  You can set up playlists and share them.  And, of course, you can sort your music collection any way you want.  [ Example:  Show me just the Heavy Metal albums ... yay!]   The web application is absolutely phenomenal.  It’s drag & drop and very, very visual — a model of “complex simplicity”.  It’s more or less a web-based iTunes before iTunes tried to do everything.  I’ve stopped liking iTunes because it’s doing too much — Genius, video, and now Facebook integration … why oh why?  Call me a curmudgeon, but I kinda tolerated it about 2 or 3 years ago when all it did was organize and play music.  It dlala-logoid that well.  Lala reminds me of the happy, friendly iTunes of 2006.

I’m not going to sit here and describe every aspect of Lala because honestly you should be using it right now.  I have not a single complaint after 6 months of daily use.  Normally I am very critical, but this just kicks ass.  Seriously, stop reading this crappy blog post and just sign up at http://www.lala.com.  Download the tiny desktop application.  Pick three or four albums to upload.  Although the upload process is automated, it takes a long time to upload all your albums (I have 180 gigs of music!!).  So at first, limit yourself to those few albums.  It took about a day to upload 9 gigs / 1800 songs, but it did all that nonsense in the background.  Anyway, if you like it, then endure the lengthy upload for the rest of your music.

One of the coolest features that I cannot get over is that I can be listening to some ridiculously long playlist here at work.  Then I turn off my computer at work, go home, boot up the home system (workaholics, unite!), and pick up the playlist right where I left off.  It’s awesome.  I giggle to myself every time I get to do that.

The big mystery that lingers over this whole utopian system is how Lala gets around licensing.  Will the RIAA axe fall as heavily as  it did with Pandora?  — By the way, Pandora, awesome bounce-back.  Y’all have a godlike CEO over there. –  Apparently, Lala gets around licensing issues by comparing your music files with albums that they already have legally in their library.  Then Lala uploads only the music that they don’t have.  Yeah, I know, if you do the math, it doesn’t really add up.  Shhhhh!